By Hailey Stangebye

Photos courtesy of Gaye Reissland

When Gaye Reissland created art early in her career, she focused on achieving a beautiful aesthetic. Now, she strives for beauty imbued with a more meaningful message.

“I consider myself an art activist,” Gaye says. “Most of my artwork generally has something to do with social justice. Now that I’m a grandmother and on the other side of 50, I feel like I have an obligation to make a difference in the world.”

“Most of my artwork generally has something to do with social justice. Now that I’m a grandmother and on the other side of 50, I feel like I have an obligation to make a difference in the world.”

Before, Gaye says the people used to pass her work and make comments such as ‘Oh, that’s pretty.’ Now, she strives for art that makes the viewer pause and think, ‘Okay, this is beautiful. But, there’s also more to it.’

For the show in the The Gallery at the Gateway Film Center, Gaye chose a piece that she feels speaks to the essence of the Harlem Renaissance called “Wakanda Warrior Woman.” This Black Panther-inspired painting is also the perfect fit for a movie theatre setting.

“When I saw that movie, it really affected me in a positive way,” Gaye says. “At the movie premiere in Columbus, it reminded me of a time in the Harlem Renaissance where they highlighted black art and black writers. It was such a positive experience, and people were just bursting with pride. It reminded me of how they celebrated black art in the Harlem Renaissance.”

“It was such a positive experience, and people were just bursting with pride. It reminded me of how they celebrated black art in the Harlem Renaissance.”

Gaye’s painting features one of the Wakanda warriors. She was drawn to this subject because she says she often chooses to feature people who wouldn’t normally be featured.

“I feature women of color, generally. Or older people with wrinkles. I love wrinkles, not so much on myself, but in my artwork,” Gaye says. “Wrinkles are a road map that show the story of what people have been through.”

One look at “Wakanda Warrior Woman,” and it’s clear that Gaye’s work captures the strength of women of color. The piece is beautiful, yet strikingly fierce.

“I’m really excited that we’ve celebrated the Harlem Renaissance this year. It has given artists of color in the Columbus area opportunities and venues that we probably wouldn’t have access to otherwise,” Gaye says. “So It’s been a wonderful experience, and hopefully it’s just the beginning, not the end.”

Gaye’s Work

By Hailey Stangebye

Photos courtesy of Shelbi Harris-Roseboro

A central theme throughout all of the pieces selected for our Gateway Gallery is identity. We told each artist to select a piece that represents themselves in one way or another.

For Shelbi Harris-Roseboro, or Shel10, her piece called “Face of my father” was the perfect fit. She says that “Face of my father” represents who she’s become as an artist over the years. It’s also notable; “Face of my father” has been shown in more than a dozen national and local shows since its creation in 2012.

“The piece shows my style,” Shelbi says. “Pointillism, colorful choices, things like that. I think it also represents my African roots, and there’s a spiritual connection for me with this piece. It’s just an all around piece that I thought would be good to represent me.”

“I think it also represents my African roots, and there’s a spiritual connection for me with this piece. It’s just an all around piece that I thought would be good to represent me.”

Shelbi is a Columbus native — “born and raised” — who currently works as a graphic designer, mixed-media artist, teacher and gallery director. She says that the Harlem Renaissance is a unique platform for this city.

“The cool thing about the Harlem Renaissance is that everybody gets to be themselves and be celebrated for who they are,” Shelbi says. “I enjoyed the show and all the pieces in it. I know and respect all of the people in it because everyone has their own lane, their own style and their own way of going about being an artist and a creative. I’m honored to be a part of it.”

“I enjoyed the show and all the pieces in it. I know and respect all of the people in it because everyone has their own lane, their own style and their own way of going about being an artist and a creative. I’m honored to be a part of it.”

Shelbi’s work will remain on display in the Gateway Gallery through February of 2019. Prints of her piece, “Face of my father,” are available upon request. Click here to learn more.

By Hailey Stangebye

Photos courtesy of Keian Hochradel

What’s the price for each piece?

200 bucks each, said Keian.

Most of these other pieces are listing for a lot more, said our curator. Are you sure?

But Keian was positive. He priced his two pieces in the Gateway Gallery with a great deal of intention. For Keian, price is less about what the highest bidder can afford, and more about making art available to everyone.

“I’m 23 years old and, no matter how much I like a painting, I can’t afford an $800 painting,” Keian says. “I do a lot of shows with people my age, and I want them to be able to afford it no matter their financial status. Everybody deserves to have art.”

“I do a lot of shows with people my age, and I want them to be able to afford it no matter their financial status. Everybody deserves to have art.”

Keian, a Columbus-based visual artist, contributed two pieces our show at the Gateway Gallery. The first is called “We are the bees, killing us kills you.” It features a bold, colorful, abstract bee in a style reminiscent of Harlem.

To Keian, bees are a lot like artists: under-appreciated, yet fundamental to life as we know it.

“Artists have a special impact, but it’s really kind of ignored. Everything that we see in this world is through the mind of an artist,” says Keian. “Bees and artists are similar because they’re very much needed, but it’s often unknown.”

“Everything that we see in this world is through the mind of an artist. Bees and artists are similar because they’re very much needed, but it’s often unknown.”

His second piece, “Oceanic funk, a wave that doesn’t end,” also relates to the perception of artists in a community. This wave represents artistic momentum, which can only grow with the support of the community as a whole.

“A lot of people don’t realize how much support means to artists. I know a lot of people who have stopped creating just because they didn’t get the support they needed. And, when I say ‘support,’ I don’t even necessarily mean purchasing art,” Keian says. “Yeah, it’s wonderful when you purchase art. But, just coming to shows helps. Or, on social media, if you retweet or like a picture that can make an artists’ day. They’re like, ‘Wow, somebody likes what I put out into the world.’”

“Yeah, it’s wonderful when you purchase art. But, just coming to shows helps. Or, on social media, if you retweet or like a picture that can make an artists’ day. They’re like, ‘Wow, somebody likes what I put out into the world.’”

Keian, with the support of his community, continues to create art that’s accessible to all. His current medium of choice is alcohol ink, but he experiments with a wide variety of materials. To see his work in person, visit the Gateway Gallery at the Gateway Film Center.