By Hailey Stangebye

Photos by Trey Barkett

On Valentines Day, our documentary, “My Great Day in Harlem” returned to the Gateway Film Center as part of a special screening for nearly 200 kids from Columbus City Schools. After the film, Mayor Andrew Ginther addressed the theatre. Then, the audience engaged in a thoughtful Q&A session with the stars of the documentary.

This screening, orchestrated by the Columbus Department of Neighborhoods, was so much more than a movie. It was an opportunity for young minds to be inspired by local legends. These students spoke with relatable role models who created an honest dialogue about achieving their aspirations.

The goal was to show by example that Columbus fosters a level of creative excellence that welcomes all forms of expression.

“Art is so important because it gives us a chance to share our experiences, our walks and our journeys. It also gives us a chance to expose ourselves to things different than us. Things that maybe we wouldn’t necessarily have as much in common with,” Ginther said. “I hope that you’ve had a great morning being able to enjoy and reflect on ‘My Great Day in Harlem.’ It is art and culture and the incredible artists in our community that help make our community so special. And I hope that your opportunity to see and hear from some of the great artists in our community is a way to celebrate what makes Columbus so exceptional.”

When students were given the chance to ask questions of the artists and the film makers, hands shot up in the air. Below, are just a few of those questions and their respective answers.

Q: For Jay Swifa, what was your hardest time as a musician?

A: “That a great question. Probably around your age is when I got serious. I was lucky enough to have parents who were in the arts. My mother is a dancer and my dad is also a musician. One thing I will urge everybody here to do — I don’t know if everybody is interested in making music — but there were always people around me who made music. And I would bug everybody, like, ‘Teach me how to make beats. Teach me how to rap.’ So, this was at age 11 or age 12. I’ve had many bumps and bruises in my music career. One of my hardest times was when I was in a very popular group and we actually broke up. I had to figure out what I was trying to do with myself before I started to make music again. Once I figured out my goals and where I wanted to go in my mind and talked to people around me, it started to become more clear. It’s always good to talk to people when you go through your rough spots, your down times. Don’t be afraid to talk to anybody. I opened myself up, which let me make better music.”

Q: For Samara Tillman, when did you feel like you were going to get really serious with fashion?

A: “I was in 6th grade, and I wanted to be a part of our — we couldn’t call it a cheer team — but I called it a ‘spirit team.’ And my mother was always about presentation. Every time she went out of the house she was very well put together. So, from there, she was like, ‘If you’re going to do this, then you’re going to do it right.’ So I was like, ‘Well I’m going to go ahead and design our spirit team outfits.’ So I designed it, and she made it. It got a very good response from teachers and all that. So I was like, ‘Oh, maybe I’m on to something.’ Then, in 9th grade, I always wanted to be different. So I asked my mom to make me an outfit for my first day of high school. That got a good response. So it was really when I was 11 when I knew that I had a gift for it. I didn’t really learn the art of sewing until I got to college, and I was making outfits for my college friends — crazy, fur, feathers, denim. They wore it because they love me. So pick your friends wisely. Pick those who encourage you to keep creating.”

Q: For Tripp Fontane, what inspired you to start rapping?

A: “It wasn’t a rapper. I don’t know if you all are old enough to have heard of him, but I actually started rapping because of ‘Weird Al’ Yankovic.’ Rap is actually not what made me fall in love with music. My dad who is like 66, so I fell in love with funk music and soul music. He’s a musician also. So I always gravitated toward live instrumentation, as opposed to rap. But, at like 7, he came out with three songs in a row and they were all hits. He came out with ‘Eat It,’ ‘I’m Fat’ and ‘Amish Paradise.’ And the music that he made was a funny version of a real song. And that inspired me to pick up a pen. I was like, ‘Bro, he’s taking my favorite songs and making funnier songs from it. I feel like I can do that.’ So, at 7 years old, I started writing music because of ‘Weird Al.'”

Q: For Lori Linsey, have you ever wanted to quit dancing?

A: As a matter of fact, I did quit dancing. My story is this. I started dancing when I was about 3 or 4 years old. I started off with ballet. By the time I got to middle school I was doing more tap and jazz. And I actually overheard someone make a comment about me that was not very nice. I did not even know this person. But what I did, at a young age and without knowing, is I took that person’s opinion of me and I made it my own. That person said that I shouldn’t be on stage, that nobody wants to see me, I don’t look the part. All of these really really negative things. And I stopped dancing at that point in time. I am so grateful that I’ve come beyond that. I started dancing again, and it’s something that I absolutely love. Any other dancer can say that when you dance nothing else matters. Nothing else matters. I feel free when I dance. I feel beautiful when I dance. I feel that I am as close to God as I can be on this earth when I dance. Nothing else matters when I move. So, if you are a dancer and you love dance and you have that similar feeling, then you cannot stop. I don’t care if you’re just dancing in your bedroom in front of your mirror. Do not stop dancing.”

Q: For Percy King, what is your advice for a young creative?

A: “I think, for me, what I always tell people is to get out and explore the world around you. Expose yourself to as much as possible. Expose yourself to as many musical forms as possible. As many artistic forms as possible. As many books as possible. Because you may not like everything that you see, but you might find the one thing that you’re passionate about. Or you might combine two things and create your own lane and become passionate about that. I think one of the things that I used to be intimidated by when it came to famous musicians and artists was that these people were like gods. They were bigger than life. They had some magical talent where they just didn’t care what they did — they went into the studio at 2 or 3 in the morning because they had great work ethic. And they do, and I give them credit for it. But what I also always tell people is that, once you find something that you’re passionate about, the amount of time that you put into it doesn’t matter. You’ll go in at 2 or 3 in the morning because you want to. You don’t even have to make yourself do it. So when you look at successful people, and you look at the amount of time they put in, and you see all these books that say ‘the seven laws of success’ or ‘get rich this way,’ remember that, at the end of the day, those people found something that they were passionate about. And that’s what they did. So that’s my advice.”

Out of all of the phenomenal questions and answers, one theme remained consistent: get stared now, and get started here. With the technology and resources available in Columbus today, there’s no reason to wait to pursue your passion.

“What we really want you to know is that this is all within your grasp,” Marshall Shorts, a creative and a core member of the Harlem Renaissance team, said. “You don’t have to go to Harlem to be an artist, or to make something happen for yourself. Whatever it is that you want to do, you can do that right here. And you have the ability. These folks weren’t old when they were making this art. Some of them were close to your age. So, keep that in mind as you express how you feel. Art was just their way of expressing what was going on around them. You have the opportunity to do that with what you do as well.”

By Hailey Stangebye

Photos by Marshall Shorts

On Valentines Day, the Gateway Film Center will host a special screening of “My Great Day in Harlem” for children from Columbus City Schools.

The documentary, which follows five local artists on a landmark journey to Harlem, was originally released at the Gateway Film Center on Nov. 30, 2018. On Thursday, it returns to the big screen to inspire the young minds of Columbus. After the film, these lucky kids will have an opportunity to ask each of the featured artists questions about their experiences and the realities of being a creative in this city.

“My Great Day in Harlem” is more than a documentary. It’s an opportunity for kids in our community to connect with and relate to passionate creatives. The people featured in this film are our contemporary trailblazers. They’re our role models for the next generation.

Meet the stars of “My Great Day in Harlem”

TRIPP FONTANE

“Art is not a right. It is a necessity by virtue of the people… I believe that art is the translation of the cosmos.”

Originally from the small town of Xenia, Ohio, Tripp Fontane moved to Columbus to find new opportunities in the realm of poetry. Before breaking into the spoken-word scene, Tripp focused primarily on rap. That all changed when he went to an open mic and decided to perform a song without the beat. People started calling him a poet, and Tripp says he still hasn’t corrected them. Today, he boasts international acclaim.

SAMARA TILLMAN

“We have so many talented people here. I think that the vision for the future of fashion in Columbus is bright.”

Samara was born and raised in Columbus. She left for college, but after graduating from Kentucky State with her degree in fashion merchandising and business management, Samara returned to Columbus where she ultimately opened a fashion boutique in 2005. For the next five years, she ran boutiques all around the Columbus area. Today, she runs a dance studio and continues to design. She plans to release her next clothing line in fall of 2019.

JAY SWIFA

“Whether I affect one person, or five people, or a million people, I just feel like I have insight to add on the world today.”

Jay is a musician who hails from the north side Columbus, but he feels close to every corner of the city. He grew up surrounded by creative energy — his father was a musician and his mother was a dancer. With all of those influences, Jay developed a witty, creative sound from a young age. After lots of success with his former group, Fly Union, Jay set out to work on his solo sound.

PERCY KING

“The older I get, the more I understand what it means to celebrate your heroes. My work celebrates heroes.”

Percy is a Columbus native who was raised on the south side of the city. He says that he’s always been an artist and a creative, but he didn’t think of pursuing art as a career until recently. Instead, Percy devoted most of his time to his football career. His creative outlet over the years became woodwork and home improvement. Today, he’s transitioned that passion for woodwork into fine art portraits carved out of layers of wood.

LORI LINDSEY

“Whenever I am honored to dance in front of other people, my goal — my intent — is to move them. Whether it’s to think a different thought, to take action on something, maybe it’s just to brighten their day or to  give them hope. It’s more than steps to a song.”

Lori has lived across the globe, from Dublin to L.A., but she’s originally from Columbus. Her passion is dance, which she started at only 3 or 4 years old. In high school, Lori briefly stopped dancing after hearing hurtful gossip from the dance community. Today, she’s proud to say that she doesn’t let someone else’s opinion define her or determine her future. Now, Lori inspires young dancers at Elite Performance Academy.

By Hailey Stangebye

Photos by Marshall Shorts

When Lori Lindsey enters a room her presence is distinct. From her posture to the way she shifts her weight, it’s clear that she possesses a wealth of kinesthetic awareness. That cognizant attention to movement is rooted in years of devotion to dance training.

Lori took her first ballet lesson when she was only 3 or 4 years old. Not long thereafter, she expanded her repertoire to styles such as jazz and tap. Then, after seeing the The Whiz with Michael Jackson and Diana Ross, Lori fell in love with the idea of life on Broadway.

Those aspirations came to a halt, though, before Lori reached high school.

“I overheard someone talking about me in a not-so-positive light. They said, basically, that I would never be dancer, that I don’t look like a dancer and that nobody wanted to see me on stage,” Lori says. “I took on their opinion of me and allowed it to define me. You’ve heard that phrase before: ‘Don’t let somebody’s opinion about you define you or  or your dreams.’ But I was young. And I did.”

“I took on their opinion of me and allowed it to define me. You’ve heard that phrase before: ‘Don’t let somebody’s opinion about you define you or  or your dreams.’ But I was young. And I did.”

Fortunately, Lori was reintroduced to dance as an adult. Today, she  performs professionally, and she was recently selected to participate in the Lincoln Theatre’s ‘Backstage at the Lincoln’ local artist showcase. Moreover, she was among five, local artists selected as part of the Harlem Renaissance campaign to go on a trip to Harlem.

“When I dance is when I feel most beautiful,” Lori says. “Dance is freedom. It allows me to do and be whatever I want to without apologies, without caring about anything else  or anyone else. When I dance, it’s just a release. Truly.”

“When I dance is when I feel most beautiful.”

Lori also has the ability to use her personal reflection through dance to move those that watch her perform. It’s a personally valuable experience for her, but it’s also a form of expression that she intentionally shares with her audience.

“Whenever I am honored to dance in front of other people, my goal — my intent — is to move them,” Lori say. “Whether it’s to think a different thought, to take action on something, maybe it’s just to brighten their day or to  give them hope. It’s more than steps to a song.”

“Whether it’s to think a different thought, to take action on something, maybe it’s just to brighten their day or to  give them hope. It’s more than steps to a song.”

That intention informs each of Lori’s movements, and she knows that she’s on the right path when she hears feedback from her audience.

“What really really gets me is when people want to hug me, or they’ll say, ‘This reminded me of my grandmother,’ or ‘You brought me to tears because I’ve been feeling this,’” Lori says. “That, to me, is so much more than, ‘Hey, you did a great job.’ And because I get that response on a consistent basis, I know that I am supposed to dance. I’m supposed to be dancing to change people. To move people.”

“I’m supposed to be dancing to change people. To move people.”

Lori’s recent journey to Harlem as a part of the Harlem Renaissance celebration also encourages her to push boundaries and move forward with dance. In fact, while walking the streets of Harlem, someone stopped her to ask if she was a dancer.

“I’m thinking, ‘There are thousands of dancers walking around New York all the time.’ I don’t know why this person decided to stop and ask me if I was a dancer,” Lori says. “But, looking at me, they thought I was a dancer.”

Not that someone else’s opinion would impact Lori’s work. Despite the obstacles she faced at a young age , or, perhaps, because of them, Lori encourages everyone around her to pursue their passions without fear.

“I just have this hunger to do more with my art,” Lori says. “If you dream bigger, you welcome those things into your life. And I’m starting to see that. I’m dreaming bigger. I’m working hard. I am going after more opportunities than I did in the past.”

By Hailey Stangebye

Photos by Kenny V.

Growing up, TrigNO was only allowed to listen to gospel music in the house.

But TrigNO and his brother were crafty. His brother would sneak VHS tapes of Usher videos into the house when their parents weren’t home.

“I feel old saying this, but they were tapes,” TrigNO laughs. “So he’d put them in the VCR and I’d watch them and see somebody moonwalking on their knees. He used to listen to a lot of rap and stuff when my mom and dad weren’t home. I was just like, ‘Yo, this is what I want to do. I like it.’ So I started training myself.”

“He used to listen to a lot of rap and stuff when my mom and dad weren’t home. I was just like, ‘Yo, this is what I want to do. I like it.’ So I started training myself.”

TrigNO became a dancer. But his interests extended far beyond just dance, as he practiced everything from rapping to acting — and, for a brief stint, the trumpet. Today, he defines himself broadly as “an entertainer” because that’s the most inclusive label for his talents.

He still remembers his first performance: It was fifth grade, his school was celebrating black history month and he had to rap.

“I had to rap in front of the whole school and I think I was the only one who remembered the words, and people really liked my verse,” TrigNO says.

It was around that age that he also met one of his most influential mentors — Mr. Malik Willoughby.

“We’re just so alike. Him and his brothers used to rap. They still do. And he’s a phenomenal dancer,” TrigNO says. “He taught me a lot. He also gave me good advice about finances and a whole lot of different stuff.”

With his own drive to create and help from mentors like Malik, TrigNO has honed his creative craft in rapping, dancing, acting and beyond. Today, he continues to rap and he also teaches dance for kids in Columbus.

“When I started, people knew me mainly for dance because that’s how I was in the community. I was teaching kids to dance as a kid,” TrigNO says. “Just imagine people knowing you for this one thing. As soon as I said, ‘Hey, I do music too, come and check out my project,’ they were like, ‘Aw yeah, but when’s your dance class?’”

“Just imagine people knowing you for this one thing. As soon as I said, ‘Hey, I do music too, come and check out my project,’ they were like, ‘Aw yeah, but when’s your dance class?’”

Breaking that limiting mold has proven to be one of his greatest challenges. Despite the resistance he’s faced, TrigNO continues to write and perform because he knows that there’s a need for his music in the community. He witnesses that need every day when he teaches his students.

“I know that the music that they listen to is very reckless, very young. There’s not a lot of wisdom to it,” TrigNO says. “I’ve had the pleasure of having both parents, and a father in my life who actually cared about me. They poured everything they had into me to make sure that I had everything I needed as far as my morals go.

“I’m not sure if these kids have that or not. But, I’m going to treat it as if they don’t. Or as if they just need to hear what I have to say.”

“I know that the music that they listen to is very reckless, very young. There’s not a lot of wisdom to it.”

TrigNO says that his music is for all ages. He doesn’t curse, he recently stopped saying the “n-word” and he focuses on the power of a message that he feels is missing in the hip hop canon. He says there’s value to preserving that innocence, even with raw subject matter.

“I can’t help but rap. I can’t help it. A lot of people feel like they have to dumb stuff down. Me? I’m not too complex because I want you to understand what I’m saying,” TrigNO says. “It’s real. It’s thought provoking.”

TrigNO’s Work

By Hailey Stangebye

Photos  courtesy of Matthew Vaughn

If he were an animal, Matthew Vaughn says he’d be a snake.

That’s because he can create melodies that glide elegantly through themes of heartbreak and death. Then, in the next track, he can write a verse that bites down with a ruthless edge. A snake represents the practiced union of grace and force.

Practice is a crucial component of the equation. He didn’t master his voice and style overnight.

“I started writing poetry at a very young age, like elementary,” Matthew says. “My uncle wrote poetry a lot. He would just walk around the house and recite it and I thought what he could do with words was super cool. So I started writing and continued to write throughout middle school and high school.”

Poetry was his first passion. Taking after his uncle, Matthew would write poem after poem, filling up notebooks with the written word. Things changed, though, his freshman year of high school.

“I had gotten one of my journals stolen, and so I was just really upset about that,” Matthew says. “Then, my oldest brother passed away and I just didn’t feel any motivation to do poetry. Over the summer, I still wanted to write, but I didn’t want to write poetry. So I started rapping.”

“Then, my oldest brother passed away and I just didn’t feel any motivation to do poetry. Over the summer, I still wanted to write, but I didn’t want to write poetry. So I started rapping.”

That summer between freshman and sophomore year in high school, Matthew started recording his tracks. Looking back, he describes those early recordings as disturbing; those songs show how he processed every complex emotion he encountered after losing so much.

When he recorded that first song, he didn’t have any fancy equipment.

“I started by blasting the music out of the computer speakers, and then recording the verse with the music in the background on my sister’s cellphone,” Matthew says. “Then I would upload those tracks to my SoundCloud. I still have a few of them.”

Over the next few years, Matthew honed his craft and practiced with a rap group. Once the group disbanded, though, he decided to take a leap of faith and perform at his first open mic. Until then, he had never performed anything live.

“I was shaking and everything and afraid of everything. I went on stage with sunglasses on because I didn’t want to look at the crowd, and it was just very, very scary,” Matthew says. “But I fell in love with performing, and so I started writing more spoken word. It was pretty much a wrap after that because I fell in love with the expression and the connection to people that I could have. Now I’m here.”

“I was shaking and everything and afraid of everything. I went on stage with sunglasses on because I didn’t want to look at the crowd, and it was just very, very scary.”

So where is “here?” It’s a place and time where Matthew proudly introduces himself as an artist. That’s because the term “rapper” doesn’t cover half of his creative endeavors.

“Yes, I can rap. Yes, I can do poetry — write it and perform it — but I also like to take pictures, I also like to sing (I’m in the gospel choir at my university), I also like to do a little bit of graphic design,” Matthew says. “I like to introduce myself as an artist because I feel like I can do a lot of things. Even dancing.”

Currently, Matthew is a published author of Intentional Scribbles and a student at Wilberforce University majoring in sociology. He says he owes a great deal of his success to support from Underdog Academy and his friends at Sun Tribe — or, as he describes the tight-knit group: “Those people in your life that give you motivation and hope for the future of humanity.”

“My purpose in life is to create, and I literally don’t know how to go about my life without doing it. It’s my form of breathing,” Matthew says. “My way of breathing is through art and creation. That’s my way of understanding and describing things.”

“My purpose in life is to create, and I literally don’t know how to go about my life without doing it. It’s my form of breathing.”

Matthew Vaughn’s Work